A Kind of Alaska
By Harold Pinter
Tour Dates
Deborah was a lively sixteen-year-old and part of a close-knit family when she fell victim to a strange condition, a sleeping sickness.
Twenty-nine years later, having been watched over by the same doctor, she awakens and gradually tries to adjust to the world around her.
Rapture presents an unmissable production of this astonishingly prescient play by one of the twentieth centuries most influential writers.
Performed as part of Rapture Bites – Lunchtime Theatre. A short season of three classic one-act plays written by some of the most influential, groundbreaking and highly-regarded writers of the last 100 years. Spanning the 20th century with themes, characters and situations that resonate today, these are timeless plays for a modern audience.
Enjoy a spot of lunch with a scrummy slice of quality theatre, as these productions will be performed at lunchtime, with venues providing a light lunch as part of the ticket price.


Tour Dates
Cast & Creatives

Gina Isaac
Gina trained at the Central School of Speech and Drama.
For Rapture: A Kind of Alaska and A Streetcar Named Desire
Theatre includes: Made in India (Tamasha/Soho Theatre), The Curious Incident of the Dog in the Night-Time (National Theatre Productions), Saturday Night & Sunday Morning, Top Girls, Roots, Absent Friends, Under Milk Wood, A View from the Bridge, The Lover, Romeo and Juliet, David Copperfield, Accidental Death of an Anarchist, Julius Caesar, Two, Twelfth Night, Road, To Kill a Mocking Bird, All my Sons, Three Sisters and The White Devil (Mercury Theatre), The Butterfly Lion (Bill Kenwright Productions), The Grapes of Wrath (Chichester Festival Theatre), Lifesavers and Photos of Religion (Theatre 503), Hysteria (Bolton Octagon), The Winter’s Tale (Salisbury Playhouse), Small Miracle (Tricycle Theatre), Mother Courage and her Children (ETT), Belly (Old Red Lion), A Midsummer Night’s Dream & Richard III (Stafford Shakespeare Festival), Trojan Women (Teatro Koreja, Lecce).
Television includes: EastEnders, Holby City, Casualty, The Queen’s Lover (BBC), Derek (Derek Productions), Men Only (Channel 4), Pretending to be Judith (International), The Bill (ITV), Perfect Disasters (Impossible Pictures).
Film and Radio includes: Beyond (Big View Media), Fast Girls (Unstoppable Entertainment), Unidentified (Big View Media), Walking with Shadows (Ghost Productions), The Father Gilbert Mysteries (Focus on the family), Anna (Frequency Theatre).

Burt Ceasar
Acting credits (Scotland) include: Othello (Royal Lyceum Theatre, Edinburgh); Judith (Citizens, Glasgow).
Other Theatre: Serious Money (Royal Court, London/West End/Broadway); The Miser (Cambridge Theatre Company); Moon on a Rainbow Shaw (National Theatre); The Cherry Orchard, Noises Off (Birmingham Rep); Eden (Riverside Studios); The Plague (Arcola Theatre); King Lear (Shakespeare’s Globe).
He is a former Associate Director at the Royal Court and has directed several short films and various television dramas.

Janet Coulson
Theatre includes: Two one-woman plays The Matchbox by Frank McGuinness and Grounded by George Brant, as well as playing Marion in 54% Acrylic, Carol in Oleanna, Mhairi in By Its Nature Uncertain, and collaborating on the devised interactive piece Postman’s Park.
Janet is also Co-Founder and Creative Director of Firebrand Theatre Company and enjoys singing and playing fiddle in a ceilidh band, when she’s not up a hill on a bike, ideally with her two dogs!

Michael Emans
In his training at Rose Bruford College of Speech and Drama, Michael received a BA Hons in Theatre Directing, and spent his third year assisting Patrick Sandford at the Nuffield Theatre in Southampton working on a range of work from classic Tom Stoppard to new writing to Panto!
After leaving drama school Michael assisted Mark Thomson at the Royal Lyceum Theatre for a season. Michael has also directed at the Oran Mor with the winner of the Orange Playwriting Award, “Magnum Opus” and the acclaimed “Burns on the Solway”.
Other previous theatre includes: Over the Mountain by Roy Williams (Creek Road Studio Theatre), Tom Jones (Lillian Bayliss Theatre), The Finishing School by Claire Luckham (Nuffield Theatre, Southampton).
For Rapture Theatre, Michael has directed: Death and the Maiden, The Dumb Waiter, Some Kind of Love Story, Shadowlands, Taking Sides, Clara, An Evening with Gary Lineker, Boys’ Life, Grace, Death of a Salesman, A Kind of Alaska, Habeas Corpus, Rat in the Skull, Oleanna, Macbeth, Perfect Days, Bold Girls, Shang-a-Lang, Assassins, Betrayal, Mr. Peters’ Connections, Insignificance, Speed the Plow, Simpatico, Boy Gets Girl, Your Turn to Clean the Stair, The Old Neighborhood, The Sailmaker, Richard III, Double Top, Boston Marriage, Twisted, Frankie and Johnny in the Clair de Lune, Proof, Misery, Blue/Orange, Damages, The Collection, Frozen, Broken Glass, Shining City, Betrayal 2008, Last of the Red Hot Lovers, Hamlet, Gagarin Way, The Sash, The Collection, Shang-a-Lang 2013, Uncle Varick., All My Sons , The Last Yankee , Democracy, Who’s Afraid of Virginia Woolf , A Streetcar Named Desire, The Ten Pound Look, The Browning Version , A Kind of Alaska ( 2019) , The Red Lion and Clybourne Park.

Lyn McAndrew
Trained: Edinburgh University, Strathclyde University
For Rapture Theatre as designer: Macbeth, Perfect Days, Assassins, Insignificance, Simpatico, Old Neighborhood, Richard III, Boston Marriage, Frankie and Johnny in the Clair de Lune, Proof, Misery, Blue/Orange, Damages,The Collection, Broken Glass, Last of the Red Hot Lovers, Hamlet, Gagarin Way and The Sash.
Show Information
45 mins
Prior to Performance (please see venue websites for details)