Shang A Lang
By Catherine Johnson
Tour Dates
Take a step back in time to the days of the Bay City Rollers, with loud fashions and laugh-out-loud, adult humour. Shang-a-Lang written by Catherine Johnson (writer of the hit musical Mamma Mia!), follows three flighty forty-something Scottish women on their way to a 70s revival weekend in Butlins, where the Bay City Rollers are playing. They were all Rollerettes back in the day and decide it is time to recapture their youth, chase their unfulfilled dreams and have a ball while they do it. Lauren tries to stay sober, Jackie tries to stay married and Pauline continues to search for her Woody.
Shang-a-Lang is the perfect girls’ night out laced with shocking laughs, warm tears and a fabulous soundtrack – a cross between a Scottish Shirley Valentine and Shameless.
Toured to venues across Scotland – November 2013 and September – October 2014.
Tour Dates
Cast & Creatives
Lyn McAndrew
Trained: Edinburgh University, Strathclyde University
For Rapture: All My Sons, Macbeth, Perfect Days, Shang-a-Lang, Assassins, Betrayal, Bold Girls, Speed the Plow, Simpatico, Boy Gets Girl, Richard III, Boston Marriage, Twisted, Proof and Hamlet.
Theatre Includes: The High School, The Cheviot, the Stag and the Black, Black Oil, A Night in the Ukraine, Teechers, The Steamie, Men Should Weep, The Cemetery Club, The London Vertigo, The Orchestra and Play it Again Sam.
Valerie Gogan
Valerie Gogan trained at LAMDA and has worked extensively in theatre, film and television.
For Raptue: Shang-a-Lang and Hamlet.
Theatre includes: The Secret Rapture, He Who Saw Everything (National Theatre), Worlds Apart (Royal Shakespeare Company), Love’s Labours Lost (Manchester Royal Exchange), The Dolls House and Abigail’s Party (Theatre Clwyd), When Is a Clock (Grey Light Prods.), A Day in the Death of Joe Egg, Pericles, The Winter’s Tale and Clothe the Naked (Leicester Haymarket), Widowers’ Houses (Palace Theatre, Watford), In Flame (Bush Theatre), Arden of Faversham (Old Red Lion ), Warm (Theatre 503). In the West End she has appeared in Les Liasons Dangereuses (Ambassadors Theatre) and The Rehearsal (Almeida/The Garrick Theatre). Most recently she was in N.F. Simpson’s final play, If So, Then Yes (Jermyn Street Theatre).
Films include: Dangerous Liasons, One More Kiss, As You Like it, The Jealous Sister, I am Dead, Animal, Honey and Razorblades and Junkhearts.
Television includes: Hamish MacBeth, Heart of the High Country, David Copperfield, Gawain and the Green Knight, Arriverderci Millwall, The Mrs Bradley Mysteries, Silent Witness, Gertrude in the BBC’s Prefaces to Shakespeare and most recently 50 Ways to Kill Your Lover.
Julie Duncanson
Trained: Manchester Polytechnic School of Theatre.
For Rapture: Shang a Lang and Frankie and Johnny in the Clair de Lune.
Theatre Includes: Three Sisters (Oran Mor), As You Like It, The Comedy of Errors, Six Black Candles (Royal Lyceum), Don Juan (Theatre Babel), Othello, Brighton Beach Memoirs (Byre Theatre), American Bagpipes (Brunton) I Licked a Slags Deodrant (Arches/Staatsteater, Stockholm), Bondagers (Traverse Theatre/Toronto World Stage Festival), David Copperfield (Dundee Rep).
TV and Film Includes: River City (Shona McIntyre - Roisin’s Middle Sister) Taggart (STV), Velvet Soup (BBC - BAFTA nominated best performance), Being Victor, Waterloo Road (Shed), Revolver (BBC), Tumshie McFadeon’s Bid for Ultimate Bliss (Tartan Short).
Radio Includes: The Sensitive (Series), There Are Such Things, Nude Untitled, Me and Ma Gal (BBC Radio 4), A Click Away (Tumeric Media for BBC Radio Scotland) and The Velvet Cabaret Comedy Sketch show series for BBC Radio Scotland.
Stewart Porter
For Rapture: Democracy, The Last Yankee, All My Sons, Shang a Lang, The Collection, Broken Glass and The Sash.
Theatres includes: National Theatre, Mermaid Theatre, Citizen’s Theatre, Bristol Old Vic, Scottish Opera, Paine’s Plough, 7:84, Tron Theatre, Borderline, Theatre Babel, TAG, Oran Mor and also in Dogstar Theatre’s international hit, Factor 9.
Stewart was nominated for Best UK Actor 2003 for his performance in The Fever at the Citizen’s Theatre. He has appeared throughout the UK on stage, TV, Film and Radio.
Television includes: River City, Shetland, Tutti Frutti, Taggart, Down Where the Buffalo Go, Tumbledown, The Bill, Hamish Macbeth, Jeeves and Wooster, Boon, Young Person’s Guide to Becoming a Rockstar, Take the High Road and many many others.
Iain Robertson
Theatre includes: The Taming of the Shrew, Lysistrata, Angels & Take Me If You Need Me (Play, Pie, Pint), Breaker (Underbelly), Romeo & Juliet, Blood Wedding (Citizens Theatre) The Slab Boys Trilogy, Strangers, Babies (Traverse Theatre) My Romantic History (Bush/Sheffield Crucible) The Tempest (Sheffield Crucible/Old Vic), The Good Hope, The Winter’s Tale, The Mysteries Trilogy (Royal National Theatre) Confessions of a Justified Sinner (Lyceum Edinburgh) and Takin’ Over the Asylum (Lyceum/Citizens)
Film & Television include: Small Faces, The Debt Collector, Plunkett & MacLeane, The Contractor, Basic Instinct 2, Collider, Acts of Godfrey, DCI Banks, Band of Brothers, Sea of Souls, Bramwell, Silent Witness, The Bill, Grange Hill, Gunpowder Treason & Plot, Kavanagh QC, Rubenesque, Shetland and Rab C. Nesbitt
Iain was nominated for Best Male Performance at the Scottish Critics’ Awards and has been nominated twice for the Ian Charleson Award and has received a Scottish BAFTA for Small Faces.
Steven Scott Fitzgerald
For Rapture: A Streetcar Named Desire, Democracy, All My Sons, Shang-a–Lang and Uncle Varick.
Theatre includes: Aladdin (Kings Theatre, Glasgow); Birdsong (Birdsong Productions); Sleeping Beauty (Towngate Theatre); Shadowlands (Birdsong Productions), Jack and The Beanstalk (Towngate Theatre) and Jack and The Beanstalk (Webster Theatre).
He is a graduate of Langside College in Glasgow.
Paul Kozinski
For Rapture: A Streetcar Named Desire and Shang-a-Lang.
Theatre includes: Rosencrantz and Guildenstern Are Dead, Abigail’s Party and Two, as well as a whole heap of children’s theatre productions. Paul has also extensively worked in both developing and performing new writing.
TV/Film credits include: Broken (short), Fate (short), Taggart, and Buried Treasure (music video).
Radio work includes: A World Elsewhere: The Return, Looped and The Ballad of Banjo Moon all for BBC Radio Drama.
He is also a member of the professional development collective, The Tron 100, housed at the Tron Theatre, Glasgow.
Gary Nelson
For Rapture: A Streetcar Named Desire and Shang-a-Lang.
As a member of East Kilbride Rep Theatre Club, Gary has played numerous parts, including Billy in The Rise and Fall of Little Voice, Darnley in Mary Queen of Scots Got Her Head Chopped Off, and Constable MacDonald in The Ladykillers.
Anne Marie Feeney
For Rapture: Shang a Lang, Assassins, Richard III and Mr Peters’ Connections.
She has also in recent years worked with TRAMdirect Theatre Company (The Likes of Us and Victorian Christmas) and Sonic Boom Theatre (No Time Has Passed in Hippoland)
Her most recent roles have been as Vi in Steaming (Govanhill Baths - Southside Festival) and as Mae in Cat on a Hot Tin Roof (Eastwood Theatre).
Michael Emans
In his training at Rose Bruford College of Speech and Drama, Michael received a BA Hons in Theatre Directing, and spent his third year assisting Patrick Sandford at the Nuffield Theatre in Southampton working on a range of work from classic Tom Stoppard to new writing to Panto!
After leaving drama school Michael assisted Mark Thomson at the Royal Lyceum Theatre for a season. Michael has also directed at the Oran Mor with the winner of the Orange Playwriting Award, “Magnum Opus” and the acclaimed “Burns on the Solway”.
Other previous theatre includes: Over the Mountain by Roy Williams (Creek Road Studio Theatre), Tom Jones (Lillian Bayliss Theatre), The Finishing School by Claire Luckham (Nuffield Theatre, Southampton).
For Rapture Theatre, Michael has directed: Death and the Maiden, The Dumb Waiter, Some Kind of Love Story, Shadowlands, Taking Sides, Clara, An Evening with Gary Lineker, Boys’ Life, Grace, Death of a Salesman, A Kind of Alaska, Habeas Corpus, Rat in the Skull, Oleanna, Macbeth, Perfect Days, Bold Girls, Shang-a-Lang, Assassins, Betrayal, Mr. Peters’ Connections, Insignificance, Speed the Plow, Simpatico, Boy Gets Girl, Your Turn to Clean the Stair, The Old Neighborhood, The Sailmaker, Richard III, Double Top, Boston Marriage, Twisted, Frankie and Johnny in the Clair de Lune, Proof, Misery, Blue/Orange, Damages, The Collection, Frozen, Broken Glass, Shining City, Betrayal 2008, Last of the Red Hot Lovers, Hamlet, Gagarin Way, The Sash, The Collection, Shang-a-Lang 2013, Uncle Varick., All My Sons , The Last Yankee , Democracy, Who’s Afraid of Virginia Woolf , A Streetcar Named Desire, The Ten Pound Look, The Browning Version , A Kind of Alaska ( 2019) , The Red Lion and Clybourne Park.
Janis Hart
Janis studied Theatre Design and Fine Art at the Slade School of Art. She has designed costumes and sets for many and varied theatre and dance productions.
Theatre includes: Residencies at Plymouth Theatre Royal, Theatr Powys, Worcester Swan Theatre, London Bubble Theatre Co, South Hill Park Art Centre and Derby Playhouse, and freelance work has included companies and spaces all over Britain.
She enjoys working in unusual spaces (which have included an abandoned hospital in Birmingham, the banks of the Water of Leith, Methil Docks and many of London’s urban and green spaces) and interesting collaborations.
Sergey Jakovsky
Sergey trained at the Royal Scottish Academy of Music and Drama, Glasgow and graduated with a BA in Technical & Production Arts. Sergey has worked for a variety of creative industries within the UK and Europe including Theatre, Contemporary Dance, and Installation Arts. Designing for companies such as: Tron Theatre, Catherine Wheels, Grid Iron, Derevo Theatre Company, Traverse Theatre, Visible Fictions, Communicado and Sharmanka Kinetic Theatre.
Amir Sheerhan
Natasha Gilmore
Natasha Gilmore is the Artistic Director of Barrowland Ballet, a Glasgow based dance-theatre company. Her productions include: Tiger and Tiger Tale (2013) and A Conversation with Carmel, (2011). Natasha is passionate about creating intergenerational, large-scale participation performances, which include commissions for the Southbank Centre and in July 2014 she is creating The River, as part of the Cultural Programme for the Commonwealth Games.
She frequently works as a choreographer within theatre productions and did the choreography for the National Theatre of Scotland’s musical, Glasgow Girls. She previously worked as the choreographer on Bright Black with Vox Motus, The Selfish Giant for Wee Stories and Roadkill for Pachamama Productions.
Natasha has also choreographed a number of music videos and adverts.
Show Information
2 hours 30 mins
Suitable for 14+ years
Please note: Shang-a-Lang is a play not a musical. Please also note: In the comedic style of the play, the show contains strong language, scenes of a sexual nature and nudity.